Beat-Club,
a music program broadcast from Bremen, West Germany, was born in the same year
as the Grateful Dead, 1965. Eventually, the show reached cult status amongst
German youth. Beat-Club evolved with the times, incorporating go-go girls to
dance to the music and integrating psychedelic backdrops and colorful imagery
while musicians played.The Grateful Dead played there on 4-21-72, fifty years ago today. Here's an excerpt from EUROPE 72 REVISITED:
The last “Other One” on
4-16-72 was a twisted tease of anticipation without the volcanic eruptions
associated with this tune. The Beat-Club rendition is the complete
opposite. The band blasts away from the get-go and there’s an abundance of
succulent “Other One” meat. Garcia’s shrieking leads blaze a trail through a
path of pounding bass detonations. The jam dissolves, reorganizes, and
strengthens before Weir sings, “Spanish lady comes to me she lays on me this
rose.”
Between verses there’s an aural
inferno before the jam dissolves into a dreamlike state, drifting in and out of
consciousness—time out of mind terrain. With a subtle shifting of tempo, the
jamming becomes more furious than before—Garcia’s searing leads spiral round
and round in a tight blizzard of sound. “Escaping through the lily fields I
came across an empty space,” howls Weir. On this day, Apollo 16 landed on the
lunar highlands of the moon. All this cosmic improv captures the flavor of the
day. Back in Bremen, the Grateful Dead’s allotted studio time is almost done.
Instead of an abrupt ending, the band noodles away as they resist the
temptation of breaking into a new tune before improvising a climactic
instrumental fanfare.